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 <title>Articles by Ron Rockwell</title>
 <link>http://flex.sys-con.com/</link>
 <description>Latest articles from Ron Rockwell</description>
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 <title>Sparkling Text Effects</title>
 <link>http://flex.sys-con.com/node/48639</link>
 <description>Sometimes you just need to have a little sparkle on your pages. If we&#039;re talking about Web pages, then those sparkles better shine and twinkle! You can use FreeHand MX to create the right amount of &#039;bling&#039; in a few simple steps.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/48639&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Tue, 15 Mar 2005 00:00:00 EST</pubDate>
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 <title>The Flow Between Fireworks &amp; FreeHand</title>
 <link>http://flex.sys-con.com/node/47856</link>
 <description>These days it&#039;s a slippery slope we wander between graphics for onscreen viewing and graphics designed for printing. Depending on your own background, you may be more prepared for one application than the other. Working with FreeHand and Fireworks can be slightly daunting, but immensely rewarding.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/47856&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Fri, 21 Jan 2005 00:00:00 EST</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/47856</guid>
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 <title>Poster Art</title>
 <link>http://flex.sys-con.com/node/47583</link>
 <description>They just don&#039;t make posters as they used to. There was a time when posters were designed to use as few colors as possible to keep costs down. Screen printing techniques allowed for an economical print run, and artists learned to see and draw people and places in terms of basic shapes and masses of color.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/47583&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Tue, 21 Dec 2004 00:00:00 EST</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/47583</guid>
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 <title>40 Freehand Tips</title>
 <link>http://flex.sys-con.com/node/47126</link>
 <description>There are dozens and dozens of time - saving things you can do in freehand. Following is just a brief selection.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/47126&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Thu, 18 Nov 2004 00:00:00 EST</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/47126</guid>
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 <title>Typography Part 2</title>
 <link>http://flex.sys-con.com/node/46763</link>
 <description>A picture is worth a thousand words, but there&#039;s always some loudmouth who wants to add a thousand words to your picture. For that, you have to know a little more about FreeHand&#039;s text-handling methods.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/46763&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Mon, 18 Oct 2004 00:00:00 EDT</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/46763</guid>
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 <title>Typography in FreeHand</title>
 <link>http://flex.sys-con.com/node/46272</link>
 <description>Type, text, copy, words, and (ugh!) even print - whatever you call it, it&#039;s the art and science of typography. FreeHand has an extremely robust text-handling feature set. It&#039;s easy to learn, and quite flexible and tough enough for anything from business cards to Web pages to small newsletters.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/46272&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Wed, 08 Sep 2004 00:00:00 EDT</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/46272</guid>
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<item>
 <title>Form vs Feature Part 2</title>
 <link>http://flex.sys-con.com/node/45944</link>
 <description>In the last issue of MXDJ (Vol. 2, issue 7), we discussed the Extrusion tool. This time we&#039;ll explore other drawing methods. Some modeling effects can be handled quickly in FreeHand with the Extrude tool, but gradient fills and creative blends from one shape to anothere are sometimes the best bet. The Extrude tool does a super job with text, but it has severe restrictions when it comes to compound shapes, such as the lumps and facets on ketchup or Coca-Cola bottles as they become round for the label. The project can be done, but you must stack several different extrusions into one final drawing, which can be taxing on your patience.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/45944&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Wed, 11 Aug 2004 00:00:00 EDT</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/45944</guid>
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 <title>Form vs. Feature Part 1</title>
 <link>http://flex.sys-con.com/node/45621</link>
 <description>The tools you use to create three-dimensional effects on FreeHand objects make a big difference in the final appearance and the time involved. There&#039;s not an absolutely right or wrong way to mold a form, but there are definitely many ways. In this first part of a two-part series, you&#039;ll learn about the new Extrude tool in FreeHand MX.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/45621&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Tue, 20 Jul 2004 00:00:00 EDT</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/45621</guid>
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 <title>The Tricks to Tracing</title>
 <link>http://flex.sys-con.com/node/45292</link>
 <description>Many casual users of FreeHand MX ask how to turn a bitmap or photograph into vector art. Naturally, the hope is that there¹s a button to click and the job is done. There&#039;s not, but it&#039;s close. Each image will be different in terms of both its content and the look you have in mind for the final artwork.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/45292&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Thu, 17 Jun 2004 00:00:00 EDT</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/45292</guid>
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<item>
 <title>The Object Panel</title>
 <link>http://flex.sys-con.com/node/44907</link>
 <description>The Object panel is the key to virtually everything you can do in FreeHand MX. Most of us don&#039;t take the time to understand the Object panel, however, and it becomes a source of frustration.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/44907&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Wed, 19 May 2004 00:00:00 EDT</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/44907</guid>
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 <title>Bulletproof Printing</title>
 <link>http://flex.sys-con.com/node/44421</link>
 <description>If you&#039;ve only used FreeHand MX for Web-based applications, then it&#039;s time you learned about the broader world of print. FreeHand was originally designed to give artists a way to put drawings onto paper via the computer. Even though the program&#039;s scope has grown far beyond early expectations, you can still achieve superior printing results.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/44421&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Wed, 07 Apr 2004 00:00:00 EDT</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/44421</guid>
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 <title>Are Your Brain Cells Colliding?</title>
 <link>http://flex.sys-con.com/node/43899</link>
 <description>Whenever I tried to win an argument with my mother, she&#039;d usually end up saying the final words, &#039;Like it or get used to it.&#039; That&#039;s the way it is with the multitude of programs graphic artists use today. Incorporating multiple programs into a single, seamless suite is an extremely difficult concept.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/43899&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Tue, 02 Mar 2004 00:00:00 EST</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/43899</guid>
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 <title>Library Power</title>
 <link>http://flex.sys-con.com/node/43533</link>
 <description>If your work involves company logos, a photo, or other graphic element that you use often, symbols can save you a lot of time. If you&#039;re in the beginning stages of creating a Web site or multipage document with recurring objects, a library of symbols can make layout changes quick and easy. Learning how to work with the library can mean hours of saved time.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/43533&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Mon, 02 Feb 2004 00:00:00 EST</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/43533</guid>
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 <title>The Art of Freehand Pages</title>
 <link>http://flex.sys-con.com/node/38608</link>
 <description>Freehand MX has to be one of the most powerful programs you can have in your arsenal of graphic tools. By purchasing Studio MX, Illustrator users are now finding out that Freehand is capable of many things that they couldn&#039;t do in Illustrator.&lt;p&gt;&lt;a href=&quot;http://flex.sys-con.com/node/38608&quot; target=&quot;_blank&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <pubDate>Mon, 05 Jan 2004 00:00:00 EST</pubDate>
 <guid isPermaLink="true">http://flex.sys-con.com/node/38608</guid>
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